MakeUp4All AUTUMN 2011 Online Beauty Magazine

La Perla Fall 2013 presentation was this Thursday, February 7 at The Gallery at Dream Downtown in New York.

La Perla designer Giovanni Bianchi looked to Spain for inspiration, specifically the moody color palette of painter Francisco Goya, and the embellished livery of bullfighters. “I wanted to capture the sensuality and the strength of the woman wearing this decadent lingerie,” says Lee, who focused on elegant brows, radiant skin and dramatic lips worthy of an Almodóvar heroine.

Makeup looks were created by makeup artist Moani Lee for Hourglass Cosmetics.

 LOOK ONE – La Perla Collection

SKIN

Prep with Hourglass No. 28 Primer Serum to create a seamless canvas for makeup. Follow with Hourglass Veil Fluid Makeup in three shades: Porcelain, Ivory and Honey. “I use the deepest shade to contour, the lightest shade to highlight and the matching shade for the rest of the skin,” says Lee.

Repeat the process with Hourglass Hidden Corrective Concealer in three shades: Hidden, Fair and Tan.

Finish up with Hourglass Ambient Lighting Powder in three shades: Radiant (golden beige), Dim (neutral beige) and Luminous (champagne pearl). “Blending the three powders creates an exceptional glow. You can literally become your own lighting technician.”

EYES

Augment brows with Hourglass Arch Sculpting Brow Pencil in Soft Brunette.

Next, line the eyes with Hourglass Film Noir Kohl Eye Pencil in Espresso, and apply the mauve shimmer shade from Hourglass Visionaire Eye Shadow Duo in Exhibition to the lids.

“To create a watery effect, I like to dampen my brush with a little No. 28 Primer Serum,” says Lee. “Unlike using water, the shadow never really dries down.” Finish with a few coats of Hourglass Film Noir Full Spectrum Mascara.

 LIPS

Prep lips with Hourglass No. 28 Lip Oil, launching this summer, and follow by

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Here are the details about the look for Chanel Autumn/Winter Ready to Wear 2012-2013 Show created by Peter Philips, Creative Director of Chanel Make-up.

Here is what Peter Philips says about the look:

‘The inspiration for the makeup look came from a few key words and a sketch that Karl Lagerfeld provided: minerals, shading and eyebrows were the key words and the sketch showed a face with stone-lined eyebrows.

So the focus is on the eyebrows, which led me to interpret Karl’s drawing and the “mineral” emphasis by creating straight, graphic eyebrows.

I worked with the Maison Lesage to create sets of embroidered eyebrows. Each eyebrow consists of an anthracite gray sequins and pearl base, embroidered with several sorts and shades of mineral stones and crystals.

For the makeup in general, I wanted a

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